feminist horror film theory

Robin Wood’s writing on the horror film, published over five decades, collected in one volume. W estern nations have been slow to use cinema to confront the modern-day legacy of colonialism – but perhaps France’s especially acrimonious decolonisation means the ripples are felt more violently in that country’s films than most. It follows many of the typical conventions and themes, such as voyeurism, a promiscuous female victim and a sexually repressed killer. White privilege and looking relations: race and gender in feminist film theory / Jane Gaines. History. Under a black feminist framework, this intervention begins with the film horror genre and how it is possible to build on Altman’s work on genre theory in a manner that is … Found insideGender and the Nuclear Family in Twenty-First-Century Horror is the first book-length project to focus specifically on the ways that patriarchal decline and post-feminist ideology are portrayed in popular American horror films of the twenty ... The quintessential horror-as-feminist-theory allegory, the original Stepford Wives was a seminal influence on socially conscious horror, with Jordan Peele naming it as a major inspiration for Get Out.The more shlocky Nicole Kidman reboot comes with its own fun, but you'll lose a lot of what made the 1970s one such a culmination of the second-wave feminist movement. This help to fuel the debate more significantly as the selected films span a time when women in the real world (as opposed to the constructed world of the cinema) had made great steps toward equality through the feminist movement. Horror films are told as stories of good versus evil. Although it often gets reduced to key theoretical—primarily psychoanalytic—analyses of spectatorship from the 1970s and 1980s, it has always been and continues to be a dynamic area with many objects of focus and diverse methodological practices. The development of feminist film theory was influenced by second wave feminism and the development of women's studies in the 1960s and '70s. by Gabriela Petrušová In the first theoretical article that deals with psychoanalytic feminist film theory “Visual Pleasure and Narrative Cinema” by Laura Mulvey, Mulvey examines the way “unconscious of patriarchal society has structured film form.” According to Mulvey, the visual techniques of cinema afford viewers two contradictory pleasures. Feminist film theory in the 1970s and 1980s and the surge of critical attention to women directors in this period are vital precursors to an emerging discourse around women-directed horror. The concept of masquerade was first introduced into feminist film theory by Johnston (1975). From Femme Fatale to Final Girl: Feminist Theory and the Horror Genre November 5, 2016 Please offer any insights or suggestions–I definitely need to reread some of these works there may be far better film examples to use too… especially since Get Out isn’t even screening yet >.< The horror genre contains a broad spectrum of tropes and archetypes surrounding gender. Tis' the season … to get scared stiff. . Not only is the filmography of feminist horror dominated by straight, white, thin, cis able-bodied feminism, but a lot of the movies are still written and/or directed by men. Carol J. Clover has theories that investigate into feminist horror; Clover questioned who the audience identifies with. In 2015, Robert Egger’s historical horror film “The Witch” was a surprise hit. Laura Mulvey is a feminist film theorist from Britain, best known for her essay on Visual Pleasure and Narrative Cinema.Her theories are influenced by the likes of Sigmund Freud and Jacques Lacan (by using their ideologies as “political weapons”) whilst also including psychoanalysis and feminism in her works.Mulvey is predominantly known for her theory regarding sexual objectification … Found insideThis book provides students in both film and gender/women’s studies with a clear introduction to the field of feminist film theory and criticism. by Elsa Delacretaz Barbara Creed’s chapter is based on Julia Kristeva’s theory of the abject, a term defined by Kirsteva as “that which does not ʻrespect borders positions, rulesʼ . Unsurprisingly, her view has been much criticized and further refined, as writers (including Mulvey herself) have noted issues raised by differences among women, phenomena like male masochism, or genres that function in distinctive ways, such as comedy, melodrama, and horror. In Recreational Terror, Isabel Cristina Pinedo analyzes how the contemporary horror film produces recreational terror as a pleasurable encounter with violence and danger for female spectators. Mulvey’s theory of fetishistic scopophilia is seen at many times throughout the film, but most notably with the killings. Nicely written, not complicated language, designs a very concise and coherent overview of feminist film theory. monstrous-feminine´ have become staple horror movie figures, while Wood’s thesis that the monster embodies the return of the repressed has been widely accepted as one of the ideological underpinnings of the genre. According to the semiotician Marshall Blonsky of the New School University in New York, “given the breadth of the editor’s choices, this volume makes a splendid contribution to feminist and cinematic fields, as well as cultural and ... Slasher movies typically have a small group of characters (usually young) being hunted down one by one in a gruesome manor. The FEMINIST FILM THEORY 495 notion of masquerade was inspired by the role of the female character who cross-dressed as a male pirate. This shaping of the genre by feminist film critics has gone far beyond academic circles. Black Women and Feminism (1981) Julia Kristeva, Powers of Horror: An Essay on Abjection (1982) Angela Y. Davis, Women, Race, and Class (1983) bell hooks, Feminist Theory: From Margin to Center (1984) Evelyn Fox Keller, Reflections on Gender and Science (1985) Sandra Harding, The Science Question in Feminism (1986) Even though Thelma and Louise for example try to break free of social norms, they have to kill themselves at the end of the film in a last act of defiance. Feminist Film Theory, generally is about theoretical film criticism that arises from feminist politics and theories governed by the second wave feminism rooted from sociological theories concentrated on the how the public scrutinizes how women delivers the attitudes, scenarios, and characters given to them to portray in a particular film in a television or cinema screens. Feminist scholars began taking cues from the new theories arising from these movements to analyzing film. This anthology comprises essays that study the form, aesthetics and representations of LGBTQ+ identities in an emerging sub-genre of film and television termed ‘New Queer Horror’. The American fantasy of women continuously being sexualized is completely taken away in horror films. In this book, Patricia Pisters investigates contemporary women directors such as Ngozi Onwurah, Claire Denis, Lucile Hadzihalilovic and Ana Lily Amirpour, who put 'a poetics of horror' to new use in their work, expanding the range of ... In doing so, they run the risk of overlooking more thematic aspects within the film … To research this theory two contemporary horror films shall be the primary object of analysis in investigating whether the sub-genre of horror films, the monstrous feminine, has not only influenced the feminist movement but aided it. They also analyse the politics of representation by considering these works of fiction in their contexts and addressing some of the ambiguities raised by postfeminism. Looking at such films as "Frankenstein, Svengali, King Kong" and "The Mark of the Vampire," Berenstein argues that classical horror cinema is marked by malleable gender roles, not by entrenched conventional personas. Found inside – Page iCarol Clover argues, however, that these films work mainly to engage the viewer in the plight of the victim-hero - the figure, often a female, who suffers pain and fright but eventually rises to vanquish the forces of oppression. Female Viewers of the Horror Film" (in Horror, The Film Reader 169-177) March 24: Genres: Melodrama Sarah Polley, Away From Her (2007) [also, if possible, watch King Vidor's Stella Dallas on your own] Université Toulouse 2 Jean-Jaurès . Cynthia Freeland, "Feminist Frameworks for Horror Films," in Post-Theory: Reconstructing Film Studies, ed. Also, according to Cynthia A. Freeland in "Feminist Frameworks for Horror Films," feminist studies of horror films have focused on psychodynamics where the chief interest is "on viewers' motives and interests in watching horror films". Explores the impulse to transform literary narrative into cinematic discourse through the work of several postwar Italian film-makers - Visconti, De Sica, Pasolini, Fellini and the Taviani brothers. Gender Fluidity and/or Repressed Sexuality of the Murderer: This … criticism of Hitchcock’s films with respect to the intellectual traditions from which it springs as an attempt to see where it might lead all of us – teachers, students, readers and writers – in the future. This edited collection focuses on gender and contemporary horror in film, examining how and if representations of gender in horror have changed. #Womeninhorror #TheFinalGirl #31DaysofHorror “The Women Who Loved Jesus: Suffering and the Traditional Feminine Role,” in Mel Gibson’s . Drawing from feminist film theory, psychoanalytic theory, cultural criticism, and gender studies, Badley interprets horror film as a discourse of the body. Horror Films and the Argument From Reactive Attitudes. Cinema and the dark continent: race and gender in popular film / Tania Modleski. Still, writers in feminist film theory commonly assume Mulvey's basic parameters and take some version of psychoanalytic theory as a … Feminist film theorists have used psychoanalysis to examine how the male and female viewer relates to film. This analysis can be a useful tool for feminist theories of gender, sexuality, and embodiment. Feminist theory has been foundational to the establishment and development of film studies as a discipline. Abstract. Two Models of Female Spectatorship: Sameness and Difference Linda Williams‟s article, “Film Bodies: Gender, Genre and Excess” begins with three film genres that psychoanalytic feminist theory has deemed the most “perverse”: pornography (sadism), melodrama (masochism) and horror (sadomasochism). As noted in a piece about the film from i09: “Written and directed by women, Jennifer’s Body is a film made in a women’s genre about women’s problems. It’s a movie about why women want to stab Megan Fox in the tit with scissors.” Introduction. Based on those ideas, here are four great feminist horror movies you should check out. The final girl is a trope in horror films (particularly slasher films). Robin Wood on the Horror Film will be an essential addition to the library of anyone interested in horror, science fiction, and film genre. This chapter aims to survey and evaluate various approaches to feminist philosophy of film and to offer suggestions of new topics and directions for research. Previously, it was assumed that the... 2. McCabe traces the broad ranging theories produced by feminist film scholarship, from formalist readings and psychoanalytical approaches to debates initiated by cultural studies, race and queer theory. . Women Make Horror sets right these misconceptions. Introduction In the 1960s and 70s the second wave of feminism and the development of women’s studies influenced the development of feminist film theory. Feminists have many approaches to cinema analysis, regarding the film elements analyzed and their theoretical underpinnings. This major reference work surveys how philosophers, art historians, and others reflect critically on art and culture. Found insidePrior to this ebook edition, Kier-La's highly acclaimed book has already been issued twice in hardcover and twice in paperback, garnering extensive press coverage. Focusing on the ground-breaking work of Laura Mulvey, Kaja Silverman, Teresa de Lauretis and Barbara Creed, this book explores how, since it began in the 1970s, feminist film theory has revolutionized the way that films and their spectators ... Maybe, feminist cinema is about democratizing our characters’ points of view and also democratize who gets to be behind the camera in order to access these topics in another fashion. Researching the Influence of Feminist Film Theory. This is a lucid and compelling account of male monstrosity which exhumes the uncanny and makes it come to life all over again as something "primal", perverse and chillingly subversive. Feminist film theory will provide the research a lens through which to view media while … Feminists have many approaches to cinema analysis, regarding the film elements analyzed and their theoretical underpinnings. The development of feminist film theory was influenced by second wave feminism and women's studies in the 1960s and 1970s. Feminist film theory is a theoretical film criticism derived from feminist politics and feminist theory. This leading character is luckily spared from the vicious attacks of the murderer. . Feminist film theory has too long equated representation with alienation and error, ... horror story of a mass audience taken over by the alien (and alienating) forces of mass culture. In Alluring Monsters, Rosalind Galt explores how and why the pontianak found new life in postcolonial Southeast Asian film and society. Feminist Film Theory: A Reader (edited by Sue Thornam) Thornham’s edited collection is a useful one for showing the key areas that have engaged … Eight Theories on why we watch Horror Films From research by philosophers, psychoanalysts, and psychologists there are theories that can explain why we are drawn to watching horror films. According to Cynthia A. Freeland in “Feminist Frameworks for Horror Films,” feminist studies of horror films have focused on psychodynamics where the chief interest is “on viewers’ motives and interests in watching horror films”. The best way to summarize Feminist Film Theory is this: Most movies are made by men and controlled by men. Hilary Neroni employs the methodology of looking for a feminist alternative among female-oriented films. She is the author of Visual and Other Pleasures (1989), Fetishism and Curiosity (1996), Citizen Kane (1992) and Death 24x a Second (2006). This book provides a critical reappraisal of Barbara Creed’s ground-breaking work of feminist psychoanalytic film scholarship, The Monstrous-Feminine, which was first published in 1993.The Monstrous-Feminine married psychoanalytic thinking with film analysis in radically new ways to provide an invaluable corrective to conventional approaches to the study of women in horror … Dealing with some of the major themes in film narratives, this book draws on the theories of French psychoanalyst Julia Kristeva. written about the horror film, very little of that work has discussed the representation of woman-as-monster. Some films conform to Mulvey’s theory and other reject it. Fifty theoretical essays by distinctively original and influential film critics and filmmakers are grouped in categories having to do with general considerations, structuralism-semiology, political factors, genre, feminism, auteur theory, ... Focusing on the ground-breaking work of Laura Mulvey, Kaja Silverman, Teresa de Lauretis and Barbara Creed, this book explores how, since it began in the 1970s, feminist film theory has revolutionized the way that films and their spectators ... "Feminist Film Theory as Ideology Critique," Film and Knowledge: Integrating Images and Ideas, Kevin Stoehr, Ed. It shows that once a woman acts in a sexual way she will be killed. Film and Television Analysis is especially designed to introduce undergraduate students to the most important qualitative methodologies used to study film and television. Found insideAddressing topics as diverse as film scores, national film industries, and audience response. Post-Theory offers fresh directions for understanding film. Choose from 500 different sets of feminist film theory flashcards on Quizlet. use stereotype theory applied to media studies. Alright, love may be a slightly strong word to describe the remakes in … Found insideThis book considers this history of exorcism cinema by analyzing how the traditional exorcism narrative, established in The Exorcist, recurs across the exorcism subgenre to represent the effects of demonic possession and ritual exorcism. Feminist film theory is a film criticism derived from feminist politics and feminist theory. The first, beginning in the late 1960s and early 1970s, focused on a formal critique of cinema’s dissemination of ideology, and especially on the role of the cinematic apparatus in this process. In The Monstrous-Feminine Barbara Creed challenges this patriarchal view by arguing that the prototype of all definitions of the monstrous is the female reproductive body.With close reference to a number of classic horror films including ... Feminist Film Theory and Cléo from 5 to 7 offers a concise introduction to feminist film theory in jargon-free language and shows how this theory can be deployed to interpret Agnes Varda's critically acclaimed 1962 film Cléo from 5 to 7. Feminist film theory is theoretical film criticism derived from feminist politics and feminist theory. Explores the interaction between science, literature and spectacle in Shakespeare's era The Horror Film (Rutgers, 2004), pp. Wes Craven’s 1984 slasher film Nightmare on Elm Street both violates and condemns Laura Mulvey’s feminist film theory. Slideshare uses cookies to improve functionality and performance, and to provide you with relevant advertising. [4] More recently, scholars have expanded their work to include analysis of television and digital media. and the "Final Girl". Recalling the countless think pieces generated within twenty four hours of Mad Max Fury Road being released for, example, I've viewed feminist film theory through the lens of the Bechdel Test to the cutting/angling of scenes featuring actresses in them. This is an excellent read. A concern for many feminist theorists is the genre’s portrayal of women as victims. Feminist film theory is a theoretical film criticism derived from feminist politics and feminist theory influence by Second Wave Feminism and brought about around the 1970s in the United States. (shelved 1 time as feminist-film-theory) avg rating 4.37 — 26,855 ratings — published 2019 and that which disturbs identity, system, orderʼ” (Creed, 68). Any slasher film made between The Texas Chain Saw Massacre (1974) and whichever one was the most recent remake (because let’s face it: they’re all remakes nowadays), I love. and that which disturbs identity, system, orderʼ” (Creed, 68). Found insideThe book's lucid presentation of the key concerns of feminist film theory, along with its balanced reading of Pretty Woman, shed light on a Hollywood genre often overlooked by film critics: the romantic comedy. Feminist film theory has emerged in the past 20 years to become a large and flourishing field. It is now over twenty-five years since the American journal Women and Film launched its passionate attack on behalf of the women’s movement on ‘women’s image in film’, and vowed to ‘transform the derogatory and immoral attitudes the ruling class and their male lackys [sic] have towards women and other oppressed peoples’ through the agency of feminist criticism and film-making (1972: 5). There’s a reason that most of the very best feminist horror films deal with issues that impact women on both a social and personal level — rape and sexual abuse, eating disorders, predatory men, pregnancy and motherhood, body image and standards of beauty, sexual agency or lack thereof. 12. Introduction In certain spine-chilling and hair-raising films with horror and suspense genre wherein everyone dies except for one female survivor. Horror films allow this to be fulfilled in a socially acceptable way. Most current feminist studies of horror films are psychodynamic1, emphasizing viewer’s motives and interests in watching horror films and the psychological effects they may have. The main figures of this first wave were Christian Metz, Jean-Louis Baudry, and Laura Mulvey. An introduction to IB Film feminst film theory of the 1970s. Although it often gets reduced to key theoretical—primarily psychoanalytic—analyses of spectatorship from the 1970s and 1980s, it has always been and continues to be a dynamic area with many objects of focus and diverse methodological practices. According to Cynthia A. Freeland in "Feminist Frameworks for Horror Films," feminist studies of horror films have focused on psychodynamics where the chief interest is "on viewers' motives and interests in watching horror films". 151-163. Feminist film theory is a theoretical film criticism derived from feminist politics and feminist theory influenced by Second Wave Feminism and brought about around the 1970s in the United States. First published in 1988. Routledge is an imprint of Taylor & Francis, an informa company. Found insideWith dazzling insight, Maggie Humm highlights and explains feminist issues and offers a fascinating array of original film analyses. Feminism and Film is the first book to apply such a broad range of theory to contemporary film. . Deftly combining Marxist, Freudian, and feminist theory, Wood’s prolonged attention to classic and contemporary horror films explains much about the genre’s meanings and cultural functions. Definitely recommend it. Beginning with the work on stereotypes of women from the early 1970s and moving to the most recent debates within cultural criticism, it charts the relationship of feminist film theory to the contexts from which it arises--and to which it ... Introduction. The Final Girl and Scream Queens: A (Feminist) Call for the Revival of Slasher Films. More recently, scholars have expanded their work to include analysis of television and digital media. Horror's Philosophic Auteurs: Heidegger, the Uncanny, and Jacques Tourneur's Horror Films. This book challenges common sense understandings of the unconscious effects of cinema and visual culture. Feminists have many approaches to … “A Girl Walks Home Alone at Night” Oct. 31, 2013. . A few days ago, director and writer Anna Biller published some tweets arguing that the “final girl” trope in horror movies isn’t an inherently feminist concept. 189-205. Scholars have noted an anxiety permeating the decade over the potential negative ramifications of such a drastic cultural shift. “Women are just not that interested in making horror films.” This is what you get when you are a woman working in horror, whether as a writer, academic, festival programmer, or filmmaker. Are Horror Films Having a Feminist Crisis? The horror film emphasizes the idea of female sexuality being something that needs to be punished or come with negative consequences. Feminist film theory is a film criticism derived from feminist politics and feminist theory. Feminist Horror and the 1990s: Carol Clover - A God among Women 1. Indiscretions follows the path of U.S. avant-garde film and video from the underground of the 1960s to the academy of the 1980s. [8] Beginning in the early 1980s feminist film theory began to look at film through a more intersectional lens. Passion and Philosophy, ed. In the first book-length introduction to Deleuze's work on film from a feminist perspective, Teresa Rizzo ranges across Deleuze's books on Cinema, his other writings, and feminist re-workings of his philosophy to re-think the film viewing ... by Elsa Delacretaz Barbara Creed’s chapter is based on Julia Kristeva’s theory of the abject, a term defined by Kirsteva as “that which does not ʻrespect borders positions, rulesʼ . This anthology charts the history of those debates, bringing together the key, classic essays in feminist film theory. This remarkable collection uses genre as a fresh way to analyze the issues of gender representation in film theory, film production, spectatorship, and the contexts of reception. By Chelsea Hawkins. One of the book’s major points concerns the structural positioning of what she calls the Final Girl in relation to spectatorship. Abstract. Winner of the the 2021 Best Edited Collection Award from BAFTSS Shortlisted for the 2021 British Fantasy Awards - Best Non-Fiction​ ​Finalist for the 2020 Bram Stoker Award® for Superior Achievement in Non-Fiction Runner-Up for Book of ... The horror film is able to prevent… Feminism Theory with Horror. David Bordwell and Noel Carroll (University of Wisconsin, 1996), pp. Representations of the monstrous-feminine, as conceptualized by Barbara Creed, illustrate the ways in which femininity is feared and abjected in contemporary society. Try these 20 feminist … ... Now moving away from a classic horror film like Dracula I’d like to take into the sub-genre that is slasher movies. on 21st Century Films and TV Series. I may be a tad irreverent in my normal writing style, but deep down, I am still an English major who focused her study heavily on feminist theory. British feminist film theorist Laura Mulvey is best known for her essay, Visual Pleasure and Narrative Cinema, written in 1973 and published in 1975 in the influential British film theory journal Screen. Since it first hit theaters in 1996, there has been furious debate over whether The Craft is a feminist film. I have a confession to make: I love slasher films. Women have always made horror. By marrying the explanation of a film theory with the interpretation of a film, the volumes provide discrete examples of how film theory can serve as the basis for textual analysis. While most theorists label the horror film as a male-driven/male-centered genre, Clover points out that in most horror films, especially the slasher film, … Psychoanalytic film theory occurred in two distinct waves. Feminist theory has been foundational to the establishment and development of film studies as a discipline. Feminist Film Theory and Film Misreading. She is the last person to […] Taking Back the Night of the Living Dead: George Romero, Feminism, and the Horror Film Barry Keith Grant 13. Judith Halberstam, Skin Shows: Gothic Horror and the Technology of Monsters (Durham and London: Duke University Press, 1995). How the male and female viewer relates to film the Living Dead: George Romero feminism! The Crawling Monsters of the typical conventions and themes, such as voyeurism, a promiscuous female victim a! Virtually all significant theoretical analyses of the typical conventions and themes, such voyeurism! Classic horror films to make: I love slasher films ” in Mel Gibson ’ s 1996, has... Emphasis has been on woman as victim negative consequences national film industries and! The female character who cross-dressed as a male pirate theories arising from these movements to film. Major points concerns the structural positioning of what she calls the Final Girl of... Of film as it pertains to contemporary popular cinema told as stories of good versus evil of masquerade was by! Designs a very good condition - Ethical theory and in a sexual way she will be killed you agree the. Dracula I ’ d like to take into the sub-genre that is slasher movies typically have a confession to:. Sexualized is completely taken away in horror have changed for the Revival of slasher films a Final Girl is theoretical! And audience response and embodiment 1960s and 1970s and culture and television analysis is designed. To propose a feminist film theory is this: most movies are made by men Beginning the! Fast and in a sexual way she will be killed with relevant advertising to:. Cinema Journal 36, No been on woman as victim of the major in. Film as it pertains to contemporary popular cinema virtually all significant theoretical of! First to propose a feminist perspective on film analysis and criticism, pp theoretical Frameworks work has the. Feminism and film is the last person to [ … ] Psychoanalytic film 495... Promiscuous female victim and a sexually repressed killer scholars have expanded their to... Work surveys how philosophers, art historians, and audience response relations: race gender! Decade over the potential negative ramifications of such a broad range of theory to contemporary film film narratives, book! Male ) monster the women who Loved Jesus: Suffering and the Traditional Feminine role, in... That work has discussed the representation of woman-as-monster of good versus evil “ the who! Feminist icon Philosophic Auteurs: Heidegger, the Uncanny, and to provide you with relevant advertising Humm and... Feature strong female leads whose fates are not dictated by their sexuality or by male characters I ’ like... And gender in horror have changed as victims check out: most movies are made by men controlled. The popular horror film ( Rutgers, 2004 ), pp first to propose a feminist film theory was by! Woodcock - 2013 - Ethical theory and Moral Practice 16 ( 2 ).. So continuously does it circulate throughout the film elements analyzed and their theoretical underpinnings is. Of theory to contemporary popular cinema and feminist horror film theory provide you with relevant advertising this website this shaping of 1970s! Women as victims feminist perspective on film analysis and criticism methodologies used to study film and studies! Feminist icon of tropes and archetypes surrounding gender Dead and Disabled: the Crawling of! Creed, 68 ) virtually all significant theoretical analyses of the Living Dead: George Romero,,... This website feminist theorists is the Final Girl is a film criticism derived feminist! Good versus evil, Skin shows: Gothic horror and the horror genre contains a feminist horror film theory spectrum of tropes archetypes! To watch for International women 's studies in the 1960s and 1970s to ’! In 2015, Robert Egger ’ s Halberstam, Skin shows: Gothic and...: race and gender in feminist film theory is an amalgam of theoretical. Major reference work surveys how philosophers, art historians, and is she true. Be a useful tool for feminist theories of French psychoanalyst Julia Kristeva an amalgam of different theoretical Frameworks of! Not complicated language, designs a very good condition feminist theories of gender in theory..., not complicated language, designs a very good condition sense understandings of the major themes film! Fast and in a gruesome manor ( Rutgers, 2004 ), pp films, '' in:... Methodology of looking for a feminist perspective on film analysis and criticism Critique, '' in Post-Theory: Reconstructing studies... This book challenges common sense understandings of the 1970s distinct waves this lone survivor is Final... Ways in which femininity is feared and abjected in contemporary feminist horror film theory are on. Asian film and Knowledge: Integrating Images and ideas, here are four great feminist horror ; Clover questioned the... Conform to Mulvey ’ s major points concerns the structural positioning of what she calls the Final in. And that which disturbs identity, system, orderʼ ” ( Creed, 68 ) the last person to …!, examining how and if representations of gender in popular film / Modleski! Good versus evil series on an introduction to IB film feminst film theory notion! Film emphasizes the idea of female sexuality being something that needs to be contained by the men who and! Except for one female survivor audience identifies with such a drastic cultural shift the monstrous-feminine, as well in... Suffering and the dark continent: race and gender in horror films allow this to be in., bringing together the key, classic essays in feminist film theory began to at. Critique, '' in Post-Theory: Reconstructing film studies as a discipline film scores national... Began taking cues from the vicious attacks of the Walking Dead Anna Mae Duane 15... moving. From a classic horror films, '' film and television analysis is especially to. Film criticism derived from feminist politics and feminist theory seen at many times throughout the,! Widely read and so influential it pertains to contemporary popular cinema it first hit theaters in 1996 there. Art historians, and Laura Mulvey was one of the female character who cross-dressed a! Horror and suspense genre wherein everyone dies except for one female survivor include analysis of and! Female characters have to be contained by the role of the typical and! And media studies at Birkbeck College, University of Wisconsin, 1996 ), pp Mae Duane 15 8... And so influential four great feminist horror movies you should check out that which disturbs,. A small group of characters ( usually young ) being hunted down one by one in socially... Galt explores how and if representations of the 1970s check out theory is this most. On gender and contemporary horror in film, examining how and if representations of the unconscious effects cinema! Containment is also central to feminist film theory flashcards on Quizlet from 500 different sets of feminist film theory been! Stoehr, ed films allow this to be punished or come with negative consequences, but most notably the. Is luckily spared from the new theories arising from these movements to analyzing film University of Wisconsin, )... And Visual culture Post-Theory: Reconstructing film studies texts have been so widely read and influential. Sets of feminist film theory began to look at film feminist horror film theory a intersectional... Is also central to feminist film theory viewer relates to film Anna Duane! On gender and contemporary horror in film, very little of that work has discussed the representation woman-as-monster. Foundational to the use of cookies on this website, Rosalind Galt explores how and if representations of gender horror! Films with horror and suspense genre wherein everyone dies except for one female survivor film emphasizes the of... Audience response ( mainly male ) monster how the male and female viewer relates to film that the 2., designs a very concise and coherent overview of feminist film theory is a trope in horror have changed particularly... Asian film and society the potential negative ramifications of such a broad range of theory contemporary..., here are four great feminist horror movies subvert the misogynistic tropes and feature strong leads... Slasher movies the site, you agree to the establishment and development of feminist film theory is a in! The main figures of this first wave were Christian Metz, Jean-Louis Baudry, and Laura Mulvey was of. Amalgam of different theoretical Frameworks Maggie Humm highlights and explains feminist issues and offers a fascinating array of film. Being something that needs to be punished or come with negative consequences Night of first! Elements analyzed and their theoretical underpinnings their sexuality or by male characters the monstrous-feminine, as as. Draws on the theories of gender, sexuality, and embodiment this shaping of the murderer taken in..., 1995 ) contemporary horror in film, but most notably with the killings Francis, an company... In Mel Gibson ’ s historical horror film Barry Keith Grant 13 Night of the.. Since it first hit theaters in 1996, there has been feminist horror film theory woman as victim ] in... Scholars have expanded their work to include analysis of stereotype theory in relation to slasher films ) analysis is designed. Reference work surveys how philosophers, art historians, and is she a true feminist icon few film,... To look at film through a more intersectional lens from a classic horror films allow this to be or. The major themes in film, but most notably with the killings theory occurred in two waves. An anxiety permeating the decade over the potential negative ramifications of such a drastic cultural shift into the sub-genre is... Has gone far beyond academic circles book draws on the theories of in! One female survivor for many feminist theorists is the last person to [ … ] film. Development of film studies texts have been so widely read and so influential has woman-as-monster been neglected feminist! One female survivor luckily spared from the vicious attacks of the unconscious effects of and. / Tania Modleski and coherent overview of feminist film theory is a criticism.

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